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    用一种语言说话



    越是好画,画面越是单纯。现代绘画更要求单纯。甚至单纯到只用一种语言说话。

      穆益林的《元宵印象》便是一例。他力图在作品中将一种单纯的语言做得最极致。他主动而轻松地将所有被描绘的对象解构为符号,组织成一种语言--在《元宵印象》中,整个画面全是用不同形状的色块冲撞而成。“生活真实”已经和穆益林无关,作品标题也仅成了他借“题”发挥的题,唯一与人们对话的,便是他那独一而无二的语言。猛然观去,使人眼前一亮--画面中慑人的震撼力,一时间使你不知所云,却紧紧地抓住了你,使你随着他那独特语言营造的元宵狂欢气氛和热烈欢快的韵律节奏去细细品味,让你联想、共鸣,并产生强烈的心理体验。这就是画面中单纯语言的力量。

      用一种语言说话,震撼力更大。

      Express in a Single Art Language

      Chen Keai in May,2001

      The simpler the pattern, the better the painting.Modern paintings lay more stress on simplicity, even as far as expressing in a single art language.

      Take Impression of Lantern Festival by Mu Yilin for instance. He tries to maximize a single language in the painting. he actively deconstructed all painted objects into signs and turned them into a language. In the painting, the whole painting is made up of color lumps in different shapes, and the real life seemed to have no relation with Mu Yilin. The title of this painting is only a title, and what communicates with audients is his unique language. Even a sudden glance at it will strike your eyes. The shicking pattern may frive you into a complete loss but tightly grab all your attentions. You will have to taste it carefully rhythm produced by his unique language, which you will resonate and makes you generate a strong mental experience. It is the power of a single art language in painting.

      To express in a single art language is more shocking.